This week’s readings bring up a
very basic question for me: What is the purpose of a composition class; what
are we trying to teach our students in terms of writing?
Geoffrey Sirc in his article, “Box
Logic,” challenges us to think outside the box. He wants students to enjoy the
process of writing and get more than just an end product out of it. I think
Sirc gives some practical advise on how to juxtapose different, seemingly
incompatible things side by side to spark curiosities in students, teach them how
to think outside the regular argumentative framework of writing. He wants
students to get excited about writing by creating aesthetically appealing, raw, not cooked texts. He also suggests means to make use of sources other than
straight out articles to “write.” He wants to expand the writing genre to
include a multitude of things in the composition classroom. Sirc’s advise is
great in terms of making students enjoy the process of writing, and I think it
would interesting to assign them things in class that makes something ordinary
and seemingly unchallenging task into an intellectually stimulating activity. I
think a lot of us do this in some way or the other. It may not seem as radical
as Sirc’s suggestion, but using advertisements, or presidential debates or
movies to understand rhetoric and argumentation does a little bit of this I
think.
I think James Kastely’s article,
“From Formalism to Inquiry: A Model of Argument in Antigone,” is the one I
related to more in terms of my own teaching methods. Kastely wants students to
use practical, political problems and argue those instead of just focusing on
academic argumentation, which he thinks has no place in the real world. I think
I liked Kastely more than Sirc because of my bias for Sophocles’ Antigone. I have seen that students are
usually very excited to discuss topics that have some form of a direct relation
to their life outside of academia. In my class, when I teach argumentation, I
show a movie like Bowling for Columbine,
and let students explore their “personal and political identities” in their
writing. Also, those of you who have seen the movie know how it does not really
take sides or make an argument in a direct way. Instead, it leaves the viewers
with questions that they could explore and argue. Also, most students when they
make an argument on some political topic are very successful in explaining and
arguing their side, and I usually have students come to class, form two groups
and argue their points. Most times, the argument does not go anywhere. This
proves Kasely’s point about the failures of argumentation and questions like
why argue, if you can’t succeed, or does anyone really succeed in an argument?
This theorizing about argumentation
brings me to my big question of the day: Who won last night’s debate? Can
anyone really “win” a debate? :-P
Kavita--
ReplyDeleteI'm curious, do you show the whole film in your class or just excerpts? I've never seen it, even though I have a grasp of what it's about, but I'm also wondering if the questions you say the film has--do you have your students answer them/use them as discussion questions?
I like your question that stemmed from Kasely about if anyone really succeeds in an argument. That would be a good question to offer up in a class, I think. Maybe ask students what they think makes up a good argument (using rhetorical moves of course) and then show different clips and have them talk about who "won" so to speak, and why they feel they did...