I thought of the
other creative writing PhDs teaching comp when I read some parts of
the article “Making a Case for Rhetorical Grammar” by Laura
Micciche. It was interesting to me when Micciche provides the
examples of how she gets her students to understand “how language
is made and then deployed for varying effects” (725). Students have
to record passages from texts of their choosing and then analyze how
the grammar and content work together to convey meaning. “In these
entries,” Micchiche says, “the student writer must not only mimic
the writer's syntax, but must also identify the specific effects
created by the syntax” (726). Micciche gives the examples of a
student who recorded a passage from Rip Van Wrinkle and in her
analysis talked about how effect of the dashes to show the character
Rip's feelings. Another student analyzed the effects created from the
syntax of some of the dialogue in To Kill A Mockingbird. I
wondered if anyone had tried doing exercises like this in their own
classes? It would be interesting I think if as part of an assignment
students were to look at the syntax and grammar of certain poems and
maybe try and rewrite them as a project? I could see it working
possibly with stories that rely heavily on dialect. Or maybe they
could take a piece of writing and rewrite it in different ways
depending on the rhetorical purpose? Obviously, I haven't thought
about this in too much detail, but it's definitely sparked something
for me consider doing in my english composition classroom in
subsequent semesters.
Also, as an
aside, I was excited to see my old professor John Trimbur quoted from
in this essay. In the class I took with him, he talked about the
debate between Black English and Standard English in the composition
classroom.
Is Black English,
or “ebonics” a legitimate dialect? Is it a bad idea for teachers
to use Black English to teach in the classroom? Are you oppressing
students by forcing them to learn and write in Standard English? I'm
particularly interested in the responses to these questions from the
teachers who believe their classes should have a strong focus on
grammar and, as I've heard in our class before, “error-free prose.”
One last thing, I
found this quote from the article “Non-Standard English,
Composition, and the Academic Establishment” by Dennis E. Baron in
College English. I think it will prompt a lot of discussion
about all this. I'll post it without comment.
“Despite their
training, many students are unable to identify standard writing. In a
recent study, I found many students classifying as standard passages
containing syntactic and dictional complexity (qualities that they
have noticed in writing presented to them as a model) which were in
fact quite deviant. Furthermore, many passages that were rated by the
students as standard in terms of conventional categories (clarity,
grammaticality) were downrated when it came to emotional response.
Students recognized standard language, or attempts at it, but did not
necessarily approve of it.
Another effect of
prescriptive language teaching in the schools is the passivization of
students. Their language is continually under review by the teacher.
Every recitation, every question, every excuse note, no matter how
tangential to the educational process, presents a test of language.
Spelling, as they say, always counts. It is common, then, for
students to try to evade responsibility for their statements, lest
they be incorrectly formulated...There is a marked tendency for
students to use the passive voice and the indirect question in
dealing with instructors. Those who cannot defend themselves from
linguistic attack by means of indirect statement make no statements
at all, retreating from the menace, or make any statement whatever,
hoping that some relief may follow the inevitable confrontation.”
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